‘Imago’ is an aural, visual and soulful blend of organic innovation with sonic virtuosity that will entwine the listener to their innermost primordial vibrations. This EP is available both digitally and on 7″ opaque cream vinyl, plus features production from elite beat makers Elaquent, Black Cat, Phat Tony, and Quasar, with a special guest appearance from Tona. The record jacket features artisan photography by Celine Saki and avant-garde original artwork directed by Jesse Read, George Kish and Radek Drutis, who has collaborated with Stones Throw, Eglo, Digitalis, and All City Records.
‘Imago’ is an unmistakeable exposition of the evolution Deez has undergone to reach the final stage of his musical self-actualization. From rapping, to singing, to playing keys, then back to rapping and beat making, Korry displays his artistic growth and how comfortable he has become in all facets of composition.
Video: Dragon Fli Empire – Supreme
Calgary (Canada) acclaimed hip hop duo Dragon Fli Empire are pleased to release the music video for “Supreme”, from their latest album”Mission Statement”. With impressive effects courtesy of director Levente Kovacs (LK Visuals), the video creatively interprets the pounding, soulful production from Metacosm (DJ Cosm and Metawon) as well as Teekay’s smooth, poetic metaphors.
Dragon Fli Empire recently unveiled a deluxe edition of “Mission Statement” featuring 5 fresh new remixes, and featuring names like Sadat X (Brand Nubian), Qwazaar (Typical Cats) and Ghetosocks. After recently completing their fifth European Tour, they have several dates in Western Canada including opening spots for Jeru the Damaja and Blackalicious.
Tue. Jan. 20th – EDMONTON, AB – STARLITE ROOM (opening for Blackalicious)
Fri. Jan. 30th – CALGARY, AB – DICKEN’S PUB (opening for Jeru the Damaja)
Wed. Feb. 11th – BANFF, AB – WILD BILL’S (opening for Grand Analog)
Thu Feb. 12th – CALGARY, AB – SAIT GATEWAY (opening for Grand Analog)
Stream: ELMNT – J feat. Promise [remix]
The song was written in Italy amongst travels, the hardship of maintaing balance and making ends meet. The only thing that was consistent at that time was belief, trust above,
The beat was a rework of a J Dilla beat, the resonance of the sample evokes a certain Gxdliness to it.
In the end, J Dilla was an Angelic-Druglord to music that kept feeding our addiction through all these years, and he needs to be praised like J.
It all makes sense in time.
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