The long awaited, highly anticipated “New Deal” album is Here! Inspired by the current recession MC Squair Blaq (of Animate Objects & the Chicago Afro-beat Project) tells a story of a man who looses his employment to outsourcing, then while heading to the unemployment office his car breaks down and to top it all off after he finally makes it home he discovers that his personal belongings were thrown in the dumpster by a former girlfriend. The album produced and mixed by Mulatto Patriot has plenty of warm summertime sample based production infused with a good amount of live instrumentation. The 16 track Album features Psalm One, Pugs Atomz, Primeridian, Neak, S-Star and Charlie Coffeen of Sidewalkchalk, Kiara Shackelford, Lester Jay, Chris Paquette, The Fail, DJ Limbz & DJ Mr. Krime. Album Artwork by Enzo Moscarella.
Downloads Archive
Free EP: Kourvioisier – “The Fear Of Progress”
Fresh off the buzz of the “Can’t Hide Love” video, DJ Skaz Digga and his production team are proud to announce the first official release from young upstart emcee, Kourvioisier, “The Fear Of Progress”. Production duties are handled by board members S.T.T.R.E.S.S. , J.L. Proof, and Kidd Bama. Features include The Away Team/Jamla emcee, Sean Boog and others.
Free Album: Jus Ra and A.P.- Duality Complex
Flint, Michigan Emcee Jus Ra (@raforshort) has just released his newest project The
Duality Complex, in collaboration with Michigan indie label Hi-Hill Recordings. After his highly praised mixtape Not Without Doubts (which is currently on sale on retail sites such asItunes.com, Napster.com and Amazon.com), Jus Ra’s newest EP will surely keep the much warranted hype going. Fresh from the True School of hip hop, Jus Ra’s rap poetics combined with A.P’s dope instrumentals are sure to make this one of your favourite gems of 2012. You can currently stream and download The Duality Complex over at hihillrecordings.com . If you are a lover of lyriciism, dope beats and real hip hop in general, this is a must have for your collection. The entire project has been produced by Hi-Hill Recording affiliate producer and Flint, Michigan native, A.P. (@ap1981)
“The Duality Complex project is one of the dopest I have heard in awhile. In my opinion, A.P is one of the dopest beat makers out PERIOD. You may have never heard of him, but do yourself a favor and pay attention!- Moonchild
“Jus Ra displays top notch lyricism throughout this project, he has proven to obtain the work ethic and talent that will ensure him a bright future in music.”- Moonchild
[ Download here ]
Free EP: Kosha Dillz “The Jet Lag EP”
Underground rhymesayer Kosha Dillz has come together with The DJBooth to bring listeners his latest project release, The Jet Lag EP. On the heels of his Bud Light “Here We Go” Superbowl Commercial, the project finds the recent Jersey-to-L.A. transplant putting his own spin on favorite records by bands he has encountered while on the road. Included is the Robbie Barclay-directed video for stand out track “Moses Wasteland.” Ducky and Jesse Palter (of Palter Ego) make the sole guest appearances throughout the project. Nate G. handles all production, sampling cuts by Chelsea Wolfe, Wavves, Black Keys, Unknown Mortal Orchestra and more.
New Video & Album Release: RenCen CoolBeanz – Breathe (feat Steffanie Christi’an)
One of the most anticipated albums of the year, sad to announce, is also the last for Detroit native artist RenCen CoolBeanz. The album was released as a digital download only on Tuesday, March 13th, 2012 in respects to the world he created online. His last studio recording will be followed up by massive performances and videos that will keep RenCen CoolBeanz legacy alive. With the last recording rightfully titled, Inspiration: My Last Album, the eclectic musical influences that helped him hone in on his effervescent sound is sure to captivate listeners across all genres.
With years of hard work, blood, sweat, tears and then some under RenCen’s belt, he is definitely the ideal artist to make a soundtrack relatable to all independent artists, despite the craft. Every song on the 32 track album are considered scenes to a movie that depicts the euphoric highs and sometimes miry trenches of indie artistry through RenCen’s eyes. So it was fitting for the album to be mixed in actual surround sound. “This album is like the adventures of the downside of trying to be successful and being on the verge of quitting and fighting through all of those obstacles and monsters to continue the quest for success.”Inspiration: My Last Album will also give the universal music lovers an earful being that it does not shy from multiple genres. “Every track was made with a movie scene in mind. I literally wanted to make an album full of movie scores. This is why it’s 2 hours long… just like a movie. I would say that it’s a musical experience that you’ve never had in life- period. If you’re a fan of multi-genres of music and creativity you are going to lose your damn mind when you hear this.” When asked to describe the sound (which was all recorded live) CoolBeanz’s painted it as: “it’s a musical mixing pot of: Nirvana, The Chronicles of Narnia(the movie and sound track), Scott Pilgrim VS the World (the Movie & Sound Track), Jay-Z, Cold Play, Alanis Moresette, Tron (the movie), Paramore, Gym Class Heroes, Daft Punk, Coreen Bailey Rae, Linkin Park, RadioHead, Portis Head, Flogging Molly & N.E.R.D., all smothered in CoolBeanz and real emceeing!!! #EPIC!!!”
Inspiration: My Last Album features emerging talent, strategically placed by RenCen CoolBeanz, such as producers Jay Norm, Randy Lynch, Que (Lead vocalist of Final Cue), Diff Jones (vocalist) , Steffanie Christi’an (vocalist), and a host of others. “I wanted to only work with people who aren’t known or popular yet to give them a chance to be heard and inspired. I met Ashley Christine at a fashion show,she told me she was a big fan of mine and wanted be a singer. I made her sing for me right then and put her on the album the next day.” If that isn’t enough to convince you of his passion for the independent artist, allow yourself to indulge in his latest and final masterpiece- digital downloads only-. The album is available on major online retailers such as iTunes, Amazon.com, Spotify, Myspace Music, and more.
[ Purchase Album ] [ iTunes ]
Free EP: Aztek The Barfly – Warm Whiskey Sampler
Aztek the Barfly originally one half of the Rising Sunz is the newest addition to the United States of Mind crew. Having traversed the Detroit hip-hop scene for some time, Aztek has made all the right rounds and has been featured on many of the cities most acclaimed & favorited projects as both emcee and producer. The Barfly is currently grinding out a couple of long overdue releases which is why we present to you…
The Warm Whiskey Sampler!… a sampling of what kind of musical shots the Barfly is downing. Similar to drinking whiskey without ice this sampler is quick, sweet & easily downed at first…but as all good barfly’s know you exhale pure FIRE!
The first project to expect from Aztek The Barfly is the “Little Green Monsters” Instrumental Album produced entirely by Aztek and is scheduled to hit the street
this June 23rd. Second project to look out for is the “From Above” LP that features Aztek on MC duties rhyming over production by Foulmouth (JFK, Bash Bros.)
[ Downlaod here ]
New Video: Stereo Boyz – Punchline Drunk
“Punchline Drunk” is the second single off the Stereo Boyz’ latest Mixtape “Guten Tag!”. The video was recorded during the groups’ “Midwest Neighbors” Tour, with scenes in Chicago, New York and at the legendary MonkeyBarz cipher at Union Square. “Punchline Drunk is a rap style we created, it’s the Stereo Boyz Drunken Master Style. We black out and write the illest sh** we possibly can. It’s our demonstration of being inebriated with creativity.”
The full “Guten Tag!” mixtape is available for free Download. Not only Switzerlands’ own Dj Jesaya lend cuts for the tape but also fellow Detroiters Dj Soko of The Left and Dj Prime Minister. With Mixo’s Father on the vocals of “From Ex to Best Friend” and Jon C (featured on J.Dilla’s “The Rebirth” project) this tape offers a variety of great talent, up tempo as well as soulful songs and of course the signature Stereo Boyz sound, which Germany’s legendary Dj Mad (Absolute Beginner) called “a breath of fresh air”.
The Secret Meeting that Changed Hip-Hop Music and Destroyed a Generation
This has left me speechless, but not surprised. It makes all the sense in the world.
via http://www.thewordisbond.com/
___
Hello,
After more than 20 years, I’ve finally decided to tell the world what I witnessed in 1991, which I believe was one of the biggest turning point in popular music, and ultimately American society. I have struggled for a long time weighing the pros and cons of making this story public as I was reluctant to implicate the individuals who were present that day. So I’ve simply decided to leave out names and all the details that may risk my personal well being and that of those who were, like me, dragged into something they weren’t ready for.
Between the late 80?s and early 90’s, I was what you may call a “decision maker” with one of the more established company in the music industry. I came from Europe in the early 80’s and quickly established myself in the business. The industry was different back then. Since technology and media weren’t accessible to people like they are today, the industry had more control over the public and had the means to influence them anyway it wanted. This may explain why in early 1991, I was invited to attend a closed door meeting with a small group of music business insiders to discuss rap music’s new direction. Little did I know that we would be asked to participate in one of the most unethical and destructive business practice I’ve ever seen.
The meeting was held at a private residence on the outskirts of Los Angeles. I remember about 25 to 30 people being there, most of them familiar faces. Speaking to those I knew, we joked about the theme of the meeting as many of us did not care for rap music and failed to see the purpose of being invited to a private gathering to discuss its future. Among the attendees was a small group of unfamiliar faces who stayed to themselves and made no attempt to socialize beyond their circle. Based on their behavior and formal appearances, they didn’t seem to be in our industry. Our casual chatter was interrupted when we were asked to sign a confidentiality agreement preventing us from publicly discussing the information presented during the meeting. Needless to say, this intrigued and in some cases disturbed many of us. The agreement was only a page long but very clear on the matter and consequences which stated that violating the terms would result in job termination. We asked several people what this meeting was about and the reason for such secrecy but couldn’t find anyone who had answers for us. A few people refused to sign and walked out. No one stopped them. I was tempted to follow but curiosity got the best of me. A man who was part of the “unfamiliar” group collected the agreements from us.
Quickly after the meeting began, one of my industry colleagues (who shall remain nameless like everyone else) thanked us for attending. He then gave the floor to a man who only introduced himself by first name and gave no further details about his personal background. I think he was the owner of the residence but it was never confirmed. He briefly praised all of us for the success we had achieved in our industry and congratulated us for being selected as part of this small group of “decision makers”. At this point I begin to feel slightly uncomfortable at the strangeness of this gathering. The subject quickly changed as the speaker went on to tell us that the respective companies we represented had invested in a very profitable industry which could become even more rewarding with our active involvement. He explained that the companies we work for had invested millions into the building of privately owned prisons and that our positions of influence in the music industry would actually impact the profitability of these investments. I remember many of us in the group immediately looking at each other in confusion. At the time, I didn’t know what a private prison was but I wasn’t the only one. Sure enough, someone asked what these prisons were and what any of this had to do with us. We were told that these prisons were built by privately owned companies who received funding from the government based on the number of inmates. The more inmates, the more money the government would pay these prisons. It was also made clear to us that since these prisons are privately owned, as they become publicly traded, we’d be able to buy shares. Most of us were taken back by this. Again, a couple of people asked what this had to do with us. At this point, my industry colleague who had first opened the meeting took the floor again and answered our questions. He told us that since our employers had become silent investors in this prison business, it was now in their interest to make sure that these prisons remained filled. Our job would be to help make this happen by marketing music which promotes criminal behavior, rap being the music of choice. He assured us that this would be a great situation for us because rap music was becoming an increasingly profitable market for our companies, and as employee, we’d also be able to buy personal stocks in these prisons. Immediately, silence came over the room. You could have heard a pin drop. I remember looking around to make sure I wasn’t dreaming and saw half of the people with dropped jaws. My daze was interrupted when someone shouted, “Is this a f****** joke?” At this point things became chaotic. Two of the men who were part of the “unfamiliar” group grabbed the man who shouted out and attempted to remove him from the house. A few of us, myself included, tried to intervene. One of them pulled out a gun and we all backed off. They separated us from the crowd and all four of us were escorted outside. My industry colleague who had opened the meeting earlier hurried out to meet us and reminded us that we had signed agreement and would suffer the consequences of speaking about this publicly or even with those who attended the meeting. I asked him why he was involved with something this corrupt and he replied that it was bigger than the music business and nothing we’d want to challenge without risking consequences. We all protested and as he walked back into the house I remember word for word the last thing he said, “It’s out of my hands now. Remember you signed an agreement.” He then closed the door behind him. The men rushed us to our cars and actually watched until we drove off.
A million things were going through my mind as I drove away and I eventually decided to pull over and park on a side street in order to collect my thoughts. I replayed everything in my mind repeatedly and it all seemed very surreal to me. I was angry with myself for not having taken a more active role in questioning what had been presented to us. I’d like to believe the shock of it all is what suspended my better nature. After what seemed like an eternity, I was able to calm myself enough to make it home. I didn’t talk or call anyone that night. The next day back at the office, I was visibly out of it but blamed it on being under the weather. No one else in my department had been invited to the meeting and I felt a sense of guilt for not being able to share what I had witnessed. I thought about contacting the 3 others who wear kicked out of the house but I didn’t remember their names and thought that tracking them down would probably bring unwanted attention. I considered speaking out publicly at the risk of losing my job but I realized I’d probably be jeopardizing more than my job and I wasn’t willing to risk anything happening to my family. I thought about those men with guns and wondered who they were? I had been told that this was bigger than the music business and all I could do was let my imagination run free. There were no answers and no one to talk to. I tried to do a little bit of research on private prisons but didn’t uncover anything about the music business’ involvement. However, the information I did find confirmed how dangerous this prison business really was. Days turned into weeks and weeks into months. Eventually, it was as if the meeting had never taken place. It all seemed surreal. I became more reclusive and stopped going to any industry events unless professionally obligated to do so. On two occasions, I found myself attending the same function as my former colleague. Both times, our eyes met but nothing more was exchanged.
As the months passed, rap music had definitely changed direction. I was never a fan of it but even I could tell the difference. Rap acts that talked about politics or harmless fun were quickly fading away as gangster rap started dominating the airwaves. Only a few months had passed since the meeting but I suspect that the ideas presented that day had been successfully implemented. It was as if the order has been given to all major label executives. The music was climbing the charts and most companies when more than happy to capitalize on it. Each one was churning out their very own gangster rap acts on an assembly line. Everyone bought into it, consumers included. Violence and drug use became a central theme in most rap music. I spoke to a few of my peers in the industry to get their opinions on the new trend but was told repeatedly that it was all about supply and demand. Sadly many of them even expressed that the music reinforced their prejudice of minorities.
I officially quit the music business in 1993 but my heart had already left months before. I broke ties with the majority of my peers and removed myself from this thing I had once loved. I took some time off, returned to Europe for a few years, settled out of state, and lived a “quiet” life away from the world of entertainment. As the years passed, I managed to keep my secret, fearful of sharing it with the wrong person but also a little ashamed of not having had the balls to blow the whistle. But as rap got worse, my guilt grew. Fortunately, in the late 90’s, having the internet as a resource which wasn’t at my disposal in the early days made it easier for me to investigate what is now labeled the prison industrial complex. Now that I have a greater understanding of how private prisons operate, things make much more sense than they ever have. I see how the criminalization of rap music played a big part in promoting racial stereotypes and misguided so many impressionable young minds into adopting these glorified criminal behaviors which often lead to incarceration. Twenty years of guilt is a heavy load to carry but the least I can do now is to share my story, hoping that fans of rap music realize how they’ve been used for the past 2 decades. Although I plan on remaining anonymous for obvious reasons, my goal now is to get this information out to as many people as possible. Please help me spread the word. Hopefully, others who attended the meeting back in 1991 will be inspired by this and tell their own stories. Most importantly, if only one life has been touched by my story, I pray it makes the weight of my guilt a little more tolerable.
Thank you.
Free Mp3: OC & Apollo Brown “Just Walk”
The Golden Era meets the Now with the release of Apollo Brown and OC’s collaborative album Trophies on Mello Music Group. Apollo Brown has spent the last few years gaining respect and accolades for his production and OC is a revered veteran from the legendary DITC.
[ Download here ]
Free Mp3: BIC (Bitches Is Crazy)- The HighGo Chronicles (THC)
The 2012 4/20 release from Bronx hip-hop group B.I.C. aka Bitches Is Crazy. This one is for #SeWord.
[ Download here ]









