Shot against black brick with Wu-esque Chinese masks covering the wall and bare light bulbs, the stark atmosphere of the set is indelible. Has takes on the camera to relay a tale of being fed up:
“They say a man only takes so much and then snaps / And they all seem shocked / When his ass pulls up and pulls out / On the room, when he’s pullin his tool back to cut / When there’s no where to move and he shoots / (rrrrat!) you’re done.”
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